Martin Krenn

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  • CV
  • Books & Catalogues
  • Contact

Krenn examines and discusses sociopolitical topics. He uses various media such as photography, video and web-based tools to develop projects realized in exhibitions, public space and on the internet.

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  • Start
  • About Martin Krenn’s art practice
  • Der Steinbruch, das Lager und die Ortschaften
  • Literatur/Zitate: Österreich ist ein wunderbares Land 2020
  • Martin Krenn
    • CV
    • Books & Catalogues
      • Saving Democracy – teilhaben, demokratisieren und umverteilen (2023)
      • Demokratieplattform Platz_nehmen (2023)
      • Restaging the Object – A Participatory Exploration of Long Kesh/Maze Prison (2019)
      • Dialogical Interventions – Art in the Social Realm (2019)
      • Urban Citizenship – Democratising Democracy (2017)
      • Mahnmal Friedenskreuz St. Lorenz (2016)
      • Handbook for a Redesign of the Lueger Monument (2011)
      • Perspektiven auf ein politisches Kunstprojekt – Statt Rassismus (2011)
      • On the Tectonics of History (2009)
      • Wien. sicher leben (2008)
      • Konzeptkochen – Angewandtes Essen (2008)
      • arbeiten gegen rassismen (2005)
      • Border Crossing Services (2002)
      • City Views (2004)
      • European Corrections Corporation (2004)
      • Institutional Racisms (1997)
    • Contact
  • Martin Krenn, 2020
  • Neoliberalism
  • Restitution (2003)
  • projects
    • Public Space & Artistic Interventions
      • The stone pit, the camp and the villages (2022 – 2023)
      • Welcome To The Club, House of Austrian History (2019)
      • The Whole World in Zurich (2015 – 2017)
      • Point of Leisure (2017)
      • Memorial at the Friedenskreuz St. Lorenz (2016)
      • The Political Sphere in Art Practices (2013 – 2016)
      • Gedenktafel Hotel Metropole (2015)
      • Statt Rassismus (2010)
      • Democracy and Welfare for All (2009)
      • Monument for a Just City (2008)
      • Right to Stay (2007)
      • Transcription (2006/2014)
      • Monument for the Defeat (2005/2006)
      • Monument of the „Aryanisation“ (2005 – 2008)
      • Is it so? (2005)
      • Posters for Aarhus Festival of Contemporary Art (2004)
      • European Corrections Corporation (2003, 2004)
      • Rückgabe/Restitution (2001)
      • Border Crossing Services (2001)
      • Demo Stickers (2000)
      • Power and Obedience (1999)
      • War Zones (1999)
      • Institutional Racism (1997)
      • Learned Homeland (1996)
      • The New Right – Materials for the Dismantling (1995)
    • Photography & Collage
      • The real glory and other stories … (2018)
      • Transforming Long Kesh/Maze Prison (2016-2019)
      • … truth should be honored. (2014)
      • World´s End (2011 – 2013)
      • Memory in (Post-)Totalitarianism (2010 – 2012)
      • Choi Yuen Village (2009)
      • Tirana Tours (2007)
      • Fortress Heiligendamm (3 Parts, 2007)
      • Fortress Heiligendamm (2007)
      • Fortress Heiligendamm (2007)
      • Misplaced Histories (2005 – 2008)
      • Freedom of movement is our right! (2005)
      • City Views (2003 – 2008)
      • Demonstrate! (2000 – 2001)
    • Film & Video
      • Austria Is a Wonderful Country (2020 – 2021)
      • Feld-Herren Revisited (2014)
      • World’s End (Film) 2013
      • One village from Austria (2011 – 2012)
      • In between the movements (2007 – 2012)
      • Travel Scans (2007)
      • One Shot (2007)
      • Notes on Resistance (2006)
      • Border Crossing Services (2001)
    • Strategic Alliance
      • Democratea (2011)
      • Blast the alien law (2006)
      • Wahlpartie (2002)
    • Curating
      • On the tectonics of history, exhibition tour (2005 – 2009)
      • Normality in [the] Crisis (2009)
      • Zone 2005 (2005)
      • Arbeiten gegen Rassismen (2005)
    • University
      • enlightening the parliament (2022)
      • Platz_nehmen: Demokratieplattform (2021 – 2022)
      • Election Gifts – Beyond Politics (2019)
      • Dialogical Seminars (2017)
      • Luegerplatz.com (2008 – 2012)
      • Wien. sicher leben/Initiative Autonome Überwachung (2008 – 2009)
      • Comment on Racism (2007)
      • Konzept Kochen – Angewandtes Essen (2006 – 2007)
    • Texts
      • Suzana Milevska: Dialogical and Participatory Methods in Artistic Research – The Reciprocal Relations Between Subjects, Objects, Images, and Stories in Transforming Long Kesh/Maze (2019)
      • Cornelia Offergeld: Mahnmal Friedenskreuz St. Lorenz (2016, Ger.)
      • Ursula Maria Probst: Martin Krenn, Das Politische an politischer Kunst (2011, Ger.)
      • Patricia Grzonka: Choi Yuen Village (2010)
      • Alexia Weiss: Antisemit in Bronze (2010, Ger.)
      • Michael Z. Wise: Toppling Hitler’s Role Model (2010)
      • Courtenay Finn: On The Tectonics of History (2009)
      • Ivana Marjanovic: ”Ensemble of Conditions” of Possibilities for Contemporary Art in Open Space, Vienna News & Analysis (2009)
      • Kristina Leko: About the Monument for a Just City, an action initiated by Martin Krenn (2008)
      • Jens Kastner: Don Espejo und der Widerstand (2007, Ger.)
      • Stephen Wright: Reversed Fictioneering (2006)
      • Rubia Salgado: Interview with Martin Krenn (2005)
      • Christian Parenti & Jeff Derksen: A Private Riot Going On? (2004)
      • Marina Gržinić: Interferences (2004)
      • Gerald Raunig: Double Service: Border Crossing as Political Action and Art Practice (2002)
      • Jochen Becker: Im Gespräch mit Martin Krenn (2004, Ger.)
      • Gerald Raunig: Demonstrate! Mass, Power and a Radical-Individual Resistance (2000)
      • Harald Fricke: Rating System – Publicity – On the works by Martin Krenn and Oliver Ressler (1999)
      • On Power and Obedience – an art project questions structures of domination in the schools. Heide Korn (1999)
      • Helmut Draxler: Institutional Racisms (1997)
  • Public Space & Artistic Interventions
  • Photography & Collage
  • Film & Video
  • Strategic Alliance
  • Curating
  • University
  • Texts

pure products usa, 16 min. (Engl.)

Published in In between the movements (2007 – 2012).
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pure products usa, 16 min. (Engl.)

[Click here to watch the film]